Showing posts with label "travel photography". Show all posts
Showing posts with label "travel photography". Show all posts

Thursday, 2 June 2011

Me and my shadow


Boo!


Did you jump at that? Are you the sort of person that worries about what's around the next corner? Do you lose sleep over losing sleep? Above all, do you worry about using your expensive camera equipment out of doors?

Stop laughing at the back there - this is a serious question. In the Northern hemisphere at least, it is Summer and the holiday season. Many are thinking of packing their bags and going somewhere new and hopefully worth a snap or two. They are packing their trunks, their sun cream, a big thick book and... Judging by the number of questions that start "Is [insert location of your choice] safe for my Leica?" or "Should I just take my [insert cheaper kit] to [x]?" there are an awful lot of people who worry about whether they will come back tanned, tubbier and robbed.

I appreciate that when we are talking about an MP, M7 or M9, plus a lens or two, you are looking at a substantial wodge of cash hung around your neck. But what did you buy it for? Do you really only want to use your "investment" in your home town, or worse, within the confines of your own home?

Let's look at this logically. In most parts of the world the average thief is a) an opportunist b) a coward c) ill-informed as to the value of a Leica. What they see is a convertible commodity - a camera that can be converted into cash. It doesn't matter to them whether it is a Holga or an S2 - if they think it has a value it is fair game. Ditto bags. Don't make their lives easy by wandering around in a daze with that split-screen Morris Minor of bags a Fogg over your shoulder - it just screams "more money than sense" - or indeed taste. Equally, don't fall into a false sense of security with your nappy sack/Gap messenger bag. Even the lowliest holdall these days can be relied upon to contain an iPod or it's bloated brother an iPad. Just the fact that you have a bag means you are of interest; your friendly neighbourhood thief can take first, value later if you are careless.
Dangerous or safe? You decide.


So you are by definition a target. Fact. What can you do about it? There are some simple rules.

1. Don't be a victim
A few years ago, a team of clinical psychologists showed photos and videos of people in the street to felons in a local prison. They were simply asked to nominate who they would mug. A clear pattern emerged, with the would-be robbers singling out those who looked like they were least likely to fight back, and those who appeared most unaware of their surroundings. That in and of itself is interesting enough. When the researchers correlated those results with the people pictured they found that many of those would-be victims had already been mugged or had suffered violent assaults ranging from playground bullying through to marital abuse. They concluded, in simple terms, that if you look like a victim you raise your chances of being one. The corollary is straightforward. Val Doonican had it about right. Walk tall, walk straight and look the world right in the eye. Look as if you mean business and you are more likely to be left alone. Look as if you are uneasy or afraid and you are, quite literally, asking for trouble.

2. Fit in
When in Rome, look like a Roman. When in Birmingham... Well, you get the idea. If you stick out like a sore thumb you will attract attention, potentially unwelcome. This doesn't mean that you have to buy an Armani suit for your next visit to Verona. It does mean that you should try to avoid shouting to the rooftops that you are new in town. When I was in Hanoi a few years ago I learned a useful trick. I certainly couldn't pass for a local - I was nearly 2 feet taller than most - but I could walk slowly. By doing so I gave the impression that I had all the time in the world. I was not obviously a tourist on a schedule ("if this is Tuesday it must be Ho's tomb") I was clearly a visitor, but one who "knew the ropes". As a result, I was largely left alone by the street traders as somebody who had probably heard it all, already. Other useful tips include avoiding socks with sandals, zip off shorts, flip-flops in the city, and any hat with writing upon it. Another trick that works surprisingly well is to carry a local newspaper; the implication that you can understand the language well enough to read about the ins and outs of local bin collection politics infers that you are not a newbie. Try to learn about your destination before you go. Conduct your own "threat assessment" and act accordingly. Don't ask for trouble by being a soft-touch.

3. Think
An ex-mother-in-law of mine used to say that the strange thing about common sense was that it was so uncommon. In that, at the very least, she was right. It's not the hardest thing in the world to keep your wits about you and by extension your property in your possession. Never leave your pride and joy unattended for a moment, no matter how "safe" you feel. A posh hotel lobby is a target-rich environment for the opportunist thief - like shooting fish in a barrel. Likewise keep your kit in sight at all times. Keep your bag over your shoulder or with an arm or a leg through the strap. Hold it at the front, don't sling it at the back. Take it with you to the salad cart - and to the gents. The only person you can trust is you.

4. Don't rely on gadgets
Put very simply, they don't work. cable locks, motion sensitive bag alarms and the like are targeted at the nervous and sold in their millions all around the world. They neither deter the determined thief nor protect your investment for more than a moment. Worst of all are the straps with a steel cable running through an otherwise normal leather or fabric strap. They may defeat the sneak with a sharp knife, but they are a completely suicidal idea in those parts of the world where the preferred modus operandii is to snatch and ride off in a car or on a scooter. You may think you can stand your ground and manfully wrench control of the situation and your camera back from the robbers, but believe me I would rather let go than be dragged along down a cobbled street behind a Fiat Panda.

5. Stand beside a victim
This may sound callous, but it's true. The best way to avoid being bitten by a mosquito is to put on repellent AND stand beside someone who hasn't. If you look like a harder target than the man standing next to you, you improve your chances of being the one that lightning does not hit.

6. Insure
I never cease to be amazed how many people overlook this point. When all else fails, claim and buy another one. Don't risk your life for a camera, no matter how valuable. Hand it over with a smile, report the crime, get a police report number and file a claim. I would rather be a living insurance claimant than a dead have-a-go hero.

Oh, and while I am in advice-dispensing mode, one more point. It's easy to laugh at and ridicule those who ask such questions and seek such advice, but we must remember that not everybody is a well-travelled man (or woman) of the world with the chameleon-like ability to blend in wherever they find themselves. Not everybody is 6'3". Not everybody is young, or steady on their feet, or even just confident. It takes all sorts to make a world, and it is up to those with that confidence to try to share it with those for whom taking their kit out of doors is a genuine worry.

So, there we have it. Whether you are roaming through Italy, or peeking at China, the ground rules are the same. Don't look like an easy target, keep your wits about you and take out insurance. Above all, don't be afraid of your own shadow - it's actually quite photogenic...


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- All images on this blog are copyright Bill Palmer and may not be reproduced in any format or medium without permission.

Friday, 30 October 2009

Rapid weight loss...

Back from sunny Malta, I've been thinking...

I am struck by the recent rapid growth in the availability of "good things in small packages". Hot on the heels of Four-Thirds - itself a move in the small direction - Olympus and Panasonic have forged ahead with Micro Four-Thirds, and Sigma and Leica have gone down the large-sensor-small-body route to give big camera performance in a smaller body. Even "ordinary" high-end digital compacts with small sensors such as the G-11, D-Lux 4 et al offer a "power to weight" ratio that would have been unthinkable just 24 months ago. The photographer no longer needs to carry a large "pro-spec" camera everywhere to guarantee a decent image.

History repeats itself, of course. The digital size/quality ratio improvement is just following the same trajectory as that of film many years ago.

But why?

What drives the urge to miniaturise? Is there truly a demand, or is it a vanity development on behalf of the manufacturers? Portability is a very strong argument, of course, and something that I have written about in the past. The smaller, lighter and more compact your camera the more likely you are to have it with you when you need it. That's a simple equation. But I think that there are other forces - dark forces - at work.

Ever since 9/11, passenger air travel has become a trial of patience and a challenge to the traveller's ingenuity. Ever tighter security restrictions have not just reduced the amount of hand baggage but altered it's very composition. Changes in airline pricing structure, encouraging hand-baggage only by imposing a premium on hold baggage has squeezed from the other direction. The travelling photographer wanting to cover all eventualities on a long weekend city break has to fit everything he needs in a bag measuring 56x45x25 centimetres. Being slightly oversized is not an option, unless you want to run the risk of having your bag taken off you at the departures gate and shoved in the hold - don't even try to argue with the gate staff...

All this is old news for the Leica M and LTM user, of course. They have long enjoyed the advantages of a high quality, compact camera system. With the advent of digital, the need to pack multiple rolls of film has been largely circumvented (only to be replaced by the necessary chargers, spare batteries, spare memory cards and a backup storage device, of course...).

All you need? Not quite - yet...


I recently travelled to Malta for a long weekend. Beyond the clothes on my back, everything else, including three cameras, fitted in a Tamrac photo backpack. I recommend the type with the built-in laptop compartment, by the way - it's great for "flatpack" items such as shirts and trousers. Once "in theatre", everything "domestic" can be unpacked and left in your hotel, and your "luggage" becomes an ideal daypack while exploring. I'll do the same when I go to Budapest later this year. I couldn't have dreamed of doing that a few years ago, when I carried a big SLR with matching lenses - that WAS my hand-baggage. I might have fitted a spare pair of socks in the bag besides, but only if I used them as lens pouches. But the encouragement to travel light is powerful, and now we have the high quality compact camera equipment to match.

Compactness is no substitute for planning ahead though - don't for a moment think it is. I have never forgotten traveling all the way to Hawaii and finding myself with no more than a 135mm lens while trying to shoot a pod of whales from a catamaran. I did the best I could, but I was "outgunned" by those who had lugged something a little longer. Not a single decent shot that day, because I hadn't planned. Lesson learned. Now I think about what to take, and squeeze in a longer lens if absolutely necessary.

For the most part though, a decent kit these days takes up little more room than a pair of shoes (alright, I have large feet) and takes far better pictures.

So there we have it. Darwinian evolution is at work. The days of the bulky (D)SLR for travel snaps are numbered, thanks to the cold hand of Al Qaeda. Think of that the next time you heft your camera to your eye...

Bill

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- All images on this blog are copyright Bill Palmer and may not be reproduced in any format or medium without permission.
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More imagery at: Lightmancer

Monday, 24 August 2009

What should I take...

I have commented before about the phenomenon that sees ordinary, otherwise sensible people apparently turn into blathering, indecisive jellies when confronted with a keyboard, an internet connection and an audience on a photo forum. There is a particular variant of that malady that tends to manifest itself in the Summer months - the thread that starts "I'm going to [insert as applicable] and I can't decide whether to just take [insert interminably long list of equipment] or whether I should also take [insert equally long list of equipment] what do you think?"

Leaving aside the probability that:

a) The audience doesn't know a lot about the poster in terms of their tastes, skills etc.,

b) Most of said audience doesn't know anything material about the proposed holiday destination either,

c) The destination given ("Europe", "China", "South America"...) is so vague that no answer can be meaningful,

and

d) Most of said audience only ever give the same answer to any such query based upon their own tastes and preferences.

The quality and usefulness of response is going to be dubious at best and bloody useless at worst.

So why (oh why) do people persist in these ridiculous threads? There can be only one answer.

They're boasting.

Yes.

That's it. They are simply taking the opportunity for a spot of self-aggrandisement. In fact, the seemingly innocent "holiday question" is a great 2 for 1:

a) I am going somewhere special/expensive/hard to get to

b) I have lots of expensive kit

This last is a particularly modern form of hubris. In the ancient world, excessive pride was a crime. Crowing over one's peers, or indeed one's vanquished foes, was regarded as very bad form indeed, much as owning an f1 Noctilux today and openly musing as to the benefits of adding a f.0.95 Noctilux to your collection of humidity-controlled dust-gatherers is guaranteed to reduce any right-thinking fellow photographer (for which read "real photographer") to acts of mindless irritation. The "autosignature" is a particular refinement of this phoenomenon, enabling the poster to re-state their entire palette of toys with the press of a button. I do wonder at the mentality of those whose signature is both longer and more interesting than their posts, however.

The only form of this question that makes any real sense is "From your own direct experience, what is [location x] like?". Any photographer with half a brain can do their own online research these days; the likes of Flickr and Google Earth provide the opportunity to find out what others have done, and what a given location looks like. The old advice used to be to go to a newsagents on arrival and look at the postcards - now with the "global village" we can browse through others' snaps, tagged - geotagged, even - without leaving the comfort of our own armchairs.

What is invaluable is "local knowledge" - places to eat, to sit, where photography is encouraged, where it is frowned upon, where and how the scam artists operate, how to get around, where the best beer is to be found. All of the above come from personal experience. People who have been there, or even better, live there -in other words, those least likely to be impressed by your ability to travel there.


I chose the lens, body, aperture, shutter speed and destination all by myself...


I don't want or need someone to pick my kit for me. I don't want someone to oo and ah over my equipment - unless they are particularly attractive, of course - I don't need people to be impressed by my choice of destination, or by the size of my wallet. It's useful to know that the lighting in museum x is particularly low, or that the queues for art gallery y only get bad after 10AM, but telling me that I absolutely must take a wide-angle or I will miss some great shots is about as useful as a photograph of a rope to a drowning man.

No, I don't care how much you have spent on where you are going, or the money you have invested in what you might take, but if I've been there before, I'll gladly give you my opinion on the place - provided you aren't just boasting, of course...


Bill

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- All images on this blog are copyright Bill Palmer and may not be reproduced in any format or medium without permission.